Jimi Hendrix™ name used under license of Authentic Hendrix, LLC. LESLIE® is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. MORLEY® is a registered trademark property of Sound Enhancement Products, Inc. WAMPLER PEDALS® is a registered trademark property of Wampler Pedals, Inc. ENGL® is a registered trademark property of Edmund Engl. Z-VEX® is a registered trademark of property of Zachary Vex. FULLTONE® is a registered trademark of Fulltone Musical Products, Inc. Z AMPLIFICATION® is a registered trademark of Dr. CARVIN® is a registered trademark of Carvin Corporation. T-REX ENGINEERING® is a registered trademark of T-Rex Engineering ApS Corporation. THD® is a registered trademark of THD Electronics Ltd. JET CITY AMPLIFICATION 333® is a registered trademark property of 333 Enterprises Incorporated DBA Jet City Amplification Corporation. GALLIEN-KRUEGER® is a registered trademark of Gallien-Krueger Corporation. GROOVE TUBES® is a registered trademark of ROKR Ventures, Inc. SEYMOUR DUNCAN® is a registered trademark of Carter Duncan Corporation. ORANGE® is a registered trademark of Orange Music Electronic Company Ltd. FENDER™ and all FENDER amplifiers, logos, and trade dress are the trademarks of FMIC and used herein under license. MESA/Boogie® is a registered trademark property of MESA/Boogie Limited Corporation. Marshall® and the Marshall logo are registered trademarks of Marshall Amplification Plc. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.AmpliTube®, TONEX®, AI Machine Modeling™, ToneNET™, SVX™, X-GEAR™, X-DRIVE™, X-SPACE™, X-TIME™, X-VIBE™, VIR™, DIM™, DSM™, VRM™, are trademarks or registered trademark property of IK Multimedia Production Srl. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumokufactory had been producing guitars for export for some time, but the 1820 bass(alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Gianniniīy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. Scan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. These post-1964 guitars were designated the Fender Duo-Sonic II.ĭue to their comparatively early demise, the Fender Duo-Sonic is one of the least well-known Fender solid body guitars, but they have found favour with many musicians, especially those that appreciate the simplicity and stability of a guitar with simple controls, easy-playing action, and no tremolo. The Duo-Sonic remained in the Fender line for the next 13 years, evolving slightly as time went by most notably in 1964 at which point a longer 24" scale version became available alongside the 22 1/2" three-quarter size. But the Duo-Sonic build quality was every bit as good as the more expensive models. The guitars were smaller great for younger guitarists, and those with smaller hands. These guitars were described as 3/4 size, though the scale length was actually 22 1/2" - a little shorter than the standard 25" of most Fender guitars. The updated Duo-Sonic in the 1960 Fender catalog, with sunburst finish, and white plastic scratchplate.įender launched two student guitars in 1956, the single pickup Musicmaster and a few months later, the dual pickup Duo-Sonic.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |